It is really an interesting proven fact that usually most widely used subculture is cooked up by somebody who seeks profit only, after which is fed to a hungry young crowd of fans. This is not forever the situation in Japan, though. The art is for the art’s sake is what comic market followers are yearning for.
Yoshishiro Yonezawa, a novelist, critic plus a passionate supporter of popular manga subculture, invented an idea of founding a business, a niche that is open for all your non-professional manga artists who form their very own circles called doujinshis to produce manga mimic artwork and magazines (which are called doujinshis, too). The thought became very well liked as Comiket, the greatest comic market on earth, is held in Japan every six months for three days uninterruptedly whenever in the winter months along with summer. There are far more than 35 thousand circles participating along with over half one million attendees.
It is a space where freedom of expression is preached over a large, and organizers never thought of so large successful of the creation. Before Comiket, young people who studied in senior high school or university, took part in comic markets as amateurs, and ceased to participate after graduation. However in mid-seventies this changed drastically. It had become not just a hobby, however a lifetime passion, as much artists got appreciation and followers because of a growing popularity of doujinshi phenomenon. There are far more than 2,000 doujinshi markets happening in Japan every year, and Comiket is definitely the most used one.
Currently the idea have spread beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China as well as U . s .. The volume of doujinshi circles mushroomed as markets provided great opportunities for a large number of amateur artists and mangakas (manga artists).
At the outset the predominant part of doujinshis creators were women, about eighty per cent. In the 1980s more males became interested, now the ratio appears to be favor female artists only slightly.
We conclude that doujinshi is often a visual cultural phenomenon which is shaped mostly by youth, yet its meaning and consequences are of global importance.
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